Feminae: Medieval Women and Gender Index


6 Record(s) Found in our database

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1. Record Number: 14630
Author(s): Elliott, Janis and Cordelia Warr
Contributor(s):
Title : Introduction [The authors briefly survey Angevin patronage, the nuns' practices, the pictorial program, and the architectural scheme of the church of Santa Maria Donna Regina in Naples. Title note supplied by Feminae.].
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 1 - 12.
Year of Publication: 2004.
2. Record Number: 14634
Author(s): Michalsky, Tanja.
Contributor(s):
Title : Mater serenissimi principis: The Tomb of Maria of Hungary
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 61 - 77.
Year of Publication: 2004.
3. Record Number: 14635
Author(s): Bruzelius, Caroline.
Contributor(s):
Title : The Architectural Context of Santa Maria Donna Regina [The author briefly surveys three aspects of the church's architecture: the organization of the spaces, the particular needs of Clarissan churches, and the development of the church's design in relation to other Neapolitan churches, especially the cathedral with the tomb of Charles I. Title note supplied by Feminae.].
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 79 - 92.
Year of Publication: 2004.
4. Record Number: 14632
Author(s):
Contributor(s):
Title : Religious Patronage and Royal Propaganda in Angevin Naples: Santa Maria Donna Regina in Context [The author explores the Angevin rulers' connections with Franciscanism, their religious patronage generally, and their efforts to strengthen and lend prestige to their dynasty. Kelly maintains that Angevin support of Franciscan Spirituals and religious p
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 27 - 43.
Year of Publication: 2004.
5. Record Number: 14640
Author(s): Elliott, Janis.
Contributor(s):
Title : The "Last Judgement": The Cult of Sacral Kingship and Dynastic Hopes for the Afterlife [The author argues that Queen Mary of Hungary used her royal patronage to create an iconography that was personally meaningful to her as well as an embodiment of the dynastic concerns of the Angevin house. Title note supplied by Feminae.].
Source: The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth-Century Naples.   Edited by Janis Elliott and Cordelia Warr .   Ashgate, 2004.  Pages 175 - 193.
Year of Publication: 2004.
6. Record Number: 8736
Author(s): Hoch, Adrian S.
Contributor(s):
Title : Beata stirps, Royal Patronage, and the Identification of the Sainted Rulers in the St. Elizabeth Chapel at Assisi [The author argues that the frescoes in the Assisi chapel of saintly rulers honor Elizabeth of Hungary and her royal and saintly kin. The author suggests that Mary of Hungary commissioned the work from Simone Martini as a way of memorializing her ancestor
Source: Art History , 15., 3 (September 1992):  Pages 279 - 295.
Year of Publication: 1992.